By Gary Burns
A significant other to pop culture is a landmark survey of latest study in pop culture reports that gives a finished and interesting creation to the field.
- Includes over dozen essays masking the spectrum of pop culture reviews from nutrients to folklore and from television to technology
- Features contributions from tested and up-and-coming students from a number of disciplines
- Offers a close background of the examine of renowned culture
- Balances new views at the politics of tradition with in-depth research of subject matters on the vanguard of pop culture studies
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Additional resources for A Companion to Popular Culture
This chapter explores the evolution of textual and literary criticism in popular culture studies and related fields. The next few pages will review the key ideas that shape the way scholars understand texts; using a roughly chronological approach, we will consider some of the major approaches to textual criticism, their strengths and weaknesses, and the way they have influenced (or been influenced by) popular culture studies. We won’t resolve the question of whether the contractors in Return of the Jedi were innocent victims or casualties of war, but we’ll explore some methods by which you might answer that question for yourself.
Lizabeth Cohen argues that the working‐class culture of unity that permeated trade‐union organizing in Chicago during the 1930s succeeded in reaching workers across ethnic and religious lines in part because the experiences of attending motion pictures and prize fights, listening to radio broad casts, and shopping at chain stores had already provided them with common experi ences and affective allegiances. S. S. popular culture into northern Mexico in the 1920s replaced bull fighting with baseball and made beer more popular than tequila (23).
Because each reader brings different contexts with her when she arrives, the potential meanings in the text exist not in the author, but in the reader. Close readings provide the foundation on which all textual criticism is built. But in the second half of the twentieth century, several modes of thought complicated the systems that relied on the tools of textual criticism. These complications opened the way for scholars to use new approaches and to explore new subjects. 36 Brendan Riley Studying Popular Culture In an interview with the tech‐savvy website Slashdot, Neal Stephenson tells an anecdote about being a commercial writer at a literary conference.
A Companion to Popular Culture by Gary Burns